Zia would return to his motherland city after many years of work banishment, but his wife died suddenly. He wants to stay in the city where his wife lived. He searches for memories of youth days to find a way to his passed love and simultaneously tries to fasten, dying by rejecting life. Finally he finds the way through an imaginary memory which helps him to make his favorite journey.
Abbas Taheri embarked on his cinematic journey following a decade in civil engineering, delving into filmmaking during his university years. Through dedication and creativity, he produced some films, earning recognition on both national and international stages. "THE SEASHELL" even secured a national award and was featured in prestigious festivals, including Oscar-qualifying ones. After completing cinema studies at the Tehran University of Art and receiving Iran's National Elites Foundation grant, Abbas Taheri authored "Festival Gaze," a postcolonial exploration of Iranian cinema's relationship with international festivals. Evolving in his career, he shifted focus to address pressing social issues and oppression under the regime, resulting in recent short films. "ABAN," a French-Iranian co-production, tackled LGBTQ rights and patriarchy, while "There Is No Friend's House" explored women's rights and masculinity influence.
